Jobs — Arts — Then Do Better

London (and beyond) Theatre world is in a (potentially) exciting flux, with a few new Artistic Directors starting, a few major roles open and a theatre re-opening.

New Starts: Young Vic, Kwei-Armah is a few months into the job. The Bush AD, Madani Younis, is moving to SouthBank. Hammersmith Lyric has a new AD, Rachel O’Riordan (from Cardiff’s Sherman Theatre, who will be looking). Michael Longhurst to start at Donmar. Nadia Fall is into her first season at Theatre Royal Stratford East. Orla is stepping down from Scotlan’s Traverse.

The Tricyle Theatre is re-born as the Kiln Theatre and re-opens with a new season.

The BAC is risen from the ashes and starts again.

Here are two roles opened up in that flux:

Bush Theatre are looking for an Artistic Director - apply (30 Sep)

Young Vic seek a Creative Associate to, as Artistic Director Kwame Kwei-Armah described, be a "... a conversation starter. Someone who believes in their soul that art and discourse has the power to change the status quo.” (1 Oct)

And below some other grants and projects I’ve come across H/T Talawa, Guardian, Twitter, ArtsJobs:

Basingstoke's Fluid Motion Theatre Company is offering a commission of £1,000 for an early-to mid-career UK-based artist or company to develop a new piece of contemporary theatre with Fluid Motion around mental health themes (21 Sep)

The 2019 Shape Arts Adam Reynolds Memorial Bursary is accepting applications from mid-career disabled artists (1 Oct)

Gasworks is seeking to appoint an artist for a 6 month residency whose practice is concerned with the advancement of participation by migrant communities in Lambeth and Southwark. details here (8 Oct)

Farnham Maltings’ no strings attached is a grant scheme (£500 and £1000) to help young people (18-25) make their first piece of theatre - apply here (18 Oct)

Submissions for the inaugural Theatre Uncut Political Playwriting Award (£9500) are now open, apply here (1 Nov)

The current Arts blog, cross-over, the current Investing blog. Cross fertilise, some thoughts on autism. Discover what the arts/business mingle.

My Op-Ed in the Financial Times (My Financial Times opinion article) about asking long-term questions surrounding sustainability and ESG.

Current highlights:

Listening to legendary theatre agent, Mel Kenyon.

Some writing tips and thoughts from Zadie Smith

How to live a life, well lived. Thoughts from a dying man. On play and playing games.

A provoking read on how to raise a feminist child.

Some popular posts: the commencement address; by NassimTaleb (Black Swan author, risk management philosopher), Neil Gaiman on making wonderful, fabulous, brilliant mistakes; JK Rowling on the benefits of failure. Charlie Munger on always inverting; Sheryl Sandberg on grief, resilience and gratitude.

Buy my play, Yellow Gentlemen, (amazon link) - all profits to charity

Yellow Earth Theatre (YET) are looking for Trustees for their board. As are Company Three and Kali.

It's a wonderful opportunity to help a small charitable arts company. You will pick up non-executive boards skills as well as expertise in working on strategic matters and under a charitable framework.

Most suited for those with a London base or regularly access to London. Woman, BME and other diversity actively encouraged to apply. YET is a theatre company with an East Asian focus.

If interested, best next step is to have an informal chat with Artistic Director Kumiko Mendl (Kumiko at yellowearth.org) and, or, the Chair Wai Yun Moon (or even me!)

YET have recently been given core funding (National Portfolio Organisation funding, NPO) from the Arts Council of England (ACE). It's a great moment to help YET scale and leverage to the next level. If that doesn't too much like business consultant speak gone through a mangle (am not feeling sharp enough to express it better).

Please share for those who might be interested. Further information can be found here.

Company Three creates a space in which young people can talk to adults, and in which adults will really listen. Originally formed as Islington Community Theatre in 2008, we are a company of 75 young people aged 11-19. We make theatre through long-term, intensive collaboration between our members and professional theatre-makers. They are also looking for trustees (deadline 18 Sep)