Happiness 2.0 Meaning

Thoughts on happiness and meaning. Story telling. A Moth story.

This story is an excerpt from who told his story via Moth. And from The Power of Meaning a book by Emily Esfahani Smith.  

“ERIK KOLBELL VIVIDLY remembers the summer in 2003 when his daughter Kate got her first job.  Kate, who was then fourteen and living in New York with her family, had been hired to work as a mother’s helper in the Hamptons. She was excited to move to Long Island and assume some of the responsibilities of adulthood. But her life, and Erik’s, came to a screeching halt two weeks after she started working.

On July 31, Erik received a call from his wife: “Kate’s been hit by a car.” “The next thing I remember,” Erik said, “was driving in the car out to Stony Brook Hospital and not knowing how serious it was, what condition she was in, where she was hit, or if she was alive.” He eventually learned that she was in surgery with a pediatric neurosurgeon. That, Erik said, gave him three pieces of information: “Number one: she was alive. Number two: this was serious. Number three: neurosurgeon. She had a brain injury.”

At the hospital, Erik was led to a private waiting area, where the neurosurgeon came in to see him and his wife. “She is in a medically induced coma,” the doctor said. “Her vitals are stable. We had to remove a piece of her skull,” he continued, “in order to relieve the pressure on her head, on her brain.” The procedure had never been performed on a child before, Erik said, but it was the doctor’s “Hail Mary. It was all he had.” It was not enough.

Late that night, her intracranial pressure spiked. She had to be taken into brain surgery once more. Erik was telling this story into a microphone, on a velvet-curtained stage in a cozy wood-paneled room as part of an evening of storytelling organized by a group called The Moth. He looked out onto an audience of nearly three hundred people sitting in tightly packed rows and told them the thought that went running through his head when he found out that Kate was being wheeled into her second brain surgery of the night: “Where is the good in any of this?” Just twenty minutes earlier, during a boozy intermission, the room had been filled with laughter and noise.

Now the audience all leaned forward in rapt silence as Erik shared his story. When Kate came out of her second brain surgery, Erik continued, it was 5 a.m. and she was stable. The doctors eventually transferred her to Mount Sinai Hospital in New York City, where she underwent intensive rounds of therapy. Because of the accident, she could no longer speak or do math, her depth perception was impaired, and she had lost nearly all of her memories. But by October, she was able to return to school part-time and continued to attend rehab. By November, she was well enough that she returned to Stony Brook so that the doctors could replace the part of her skull that they had removed in July. This would be her third brain surgery. “It was kind of a triumphal reentry,” Erik said. “It’s a way of sort of closing the door and saying, ‘Yeah, she’s going to make it.’”

Still, Erik continued searching for the meaning in everything that had happened: “I’m grateful she’s alive,” he thought on the eve of her third brain surgery. “I don’t know how much more of her I am going to get back. Where is the good?” He found it when Kate came out of the surgery. The two of them were in the recovery room. Kate was “still woozy” from the anesthesia when a series of visitors began arriving at her bedside. The first person to come was a doctor. “Kate, you wouldn’t remember me,” he said. “I’m the admitting physician who was in the emergency room the day you came in.” Moments later, a nurse came by: “Kate, you would not remember me, but I was the nurse who was there when the original operating team came and started working on you.” “Kate, you wouldn’t remember me,” another guest said, “but I was the chaplain on duty when you came in and I spent time with your parents.” “Kate,” said the next person, “you wouldn’t remember me, but I was the social worker who oversaw your case.” “Kate,” yet another said, “you wouldn’t remember me, but I was the nurse on duty the second or third day.” It was, Erik recalled, “a parade of smiling faces.”

The last visitor was a nurse named Nancy Strong, who had overseen Kate’s stay in the intensive care unit over the summer. “I pulled her aside and said, ‘You know, I think it’s great that you are all coming by to wish Kate luck. But there’s something else going on here, isn’t there?’” “Yeah,” Nancy said, “there is.” “What’s going on?” “Erik,” she said, “for every ten kids we see with this injury, nine of them die. There is only one Kate. We need to come back and we need to see her, because she is what keeps us coming back to work in this place every day.” “This is the redemption,” Erik realized. “This is the good.”


Her book argues:

“They are the four pillars of meaning: belonging, purpose, storytelling, and transcendence.”

I view it as thinking about second order happiness. Or deeper happiness.

What the Greeks describe (Or Aristotle at least ) as his concept of eudaimonia, the ancient Greek word for “human flourishing.”

Eudaimonia often gets translated as “happiness,” and so Aristotle is often credited with saying that happiness is the highest good and chief goal of our lives. But Aristotle actually had pretty harsh words for those who pursued pleasure and “the life of enjoyment.” He called them “slavish” and “vulgar,” arguing that the feel-good route to the good life that he believed “most men” pursue is more “suitable to beasts” than to human beings. To Aristotle, eudaimonia is not a fleeting positive emotion. Rather, it is something you do. Leading a eudaimonic life, Aristotle argued, requires cultivating the best qualities within you both morally and intellectually and living up to your potential. It is an active life, a life in which you do your job and contribute to society, a life in which you are involved in your community, a life, above all, in which you realize your potential, rather than squander your talents.

This would be distinct from first order happiness or hedonistic happiness.


Psychologists have picked up on Aristotle’s distinction. If hedonia is defined as “feeling good,” they argue, then eudaimonia is defined as “being and doing good”—and as “seeking to use and develop the best in oneself” in a way that fits with “one’s deeper principles.” It is a life of good character. And it pays dividends. As three scholars put it, “The more directly one aims to maximize pleasure and avoid pain, the more likely one is to produce instead a life bereft of depth, meaning, and community.” But those who choose to pursue meaning ultimately live fuller—and happier—lives.

The book looks at several cases studies and also makes a case for the transcendent. It is thought provoking.

But it does make it seem easy.

How many of us really can think like the janitor at NASA. “I’m not cleaning floors, I’m helping man land on the moon”.

Some of us can, but looking around it seems that those who can are in the minority.

Which takes me to this article on the state of the UK after the brexit vote. Moore argues "the issues that divide Britain – from globalisation to social disparity – run deeper than this useless government"

Are we losing meaning at a grand scale ?

Perhaps.

But can we gain it back on a personal or local level.

I think perhaps we can.

The larger sense of belonging has perhaps been semi-permanently split by brexit. But I have hope on a personal scale.

The small every day interactions of life. The quiet mixing and mingling.

While I think we can perhaps reframe the jobs and roles we have in life in a more meaningful way. Especially if we ourselves are treated with respect.

If doctors treat the cleaners with respect and inspire belonging then the cleaners are going to think their jobs is to help save lives - have purpose.

The ability to tell stories. This has grown and continues to grow. From the ministry or stories. To blogs to Facebook. To the story corps. To Moth.

This can help our narratives and again bring us more meaning.

These are two of the strands of Smith's book, while I think it leans a little to the "this can change your life" brigade it does offer some provoking thoughts. Worth a read.

 


If you'd like to feel inspired by commencement addresses and life lessons try:  Neil Gaiman on making wonderful, fabulous, brilliant mistakes; or Nassim Taleb's commencement address; or JK Rowling on the benefits of failure.  Or Charlie Munger on always inverting;  Sheryl Sandberg on grief, resilience and gratitude or investor Ray Dalio on  on Principles.

Cross fertilise. Read about the autistic mind here

Aisling Bea. On her father's death.

By Aisling Bea (a friend of a friend): a very moving piece in the Guardian: mine headline and her letter below - but read the whole piece - link in the mini headline.

The comedian’s father killed himself when she was three. She was plagued by the fact he made no mention of her or her sister in the letter he left. Then, 30 years after his death, a box arrived.

"My father’s death has given me a love of men, of their vulnerability and tenderness’

[...]

To Daddy, here is my note to you:

I’m sad you killed yourself, because I really think that, if you could see the life you left behind, you would regret it. You didn’t get to see the Berlin wall fall or Ireland qualify for Italia 90. You didn’t get to see all the encyclopedias that you bought for us to one day ‘use at university’ get squashed into a CD and subsequently the internet. You have never got to hear your younger daughter’s voice – it annoys me sometimes, but it has also said some of the most amazing things when drunk. I think you would have been proud to watch your daughter do standup at the O2 and sad to see my mother watching it on her own. Then again, if you hadn’t died, I probably wouldn’t have been mad enough to become a clown for a living. I am your daughter and I am really fucking funny, just like you. But, unlike you, I’m going to stop being it for five minutes and write our story in the hope that it may help someone who didn’t get to have a box turn up, or who may not feel ‘in their right mind’ right now and needs a reminder to find hope.
Aisling

• In the UK, the Samaritans can be contacted on 116 123. In the US, the National Suicide Prevention Lifeline is 1-800-273-8255. In Australia, the crisis support service Lifeline is on 13 11 14. Other international suicide helplines can be found atbefrienders.org

Jobs. Diversity. Sustainability. Arts

Quick hit jobs that have caught my eye. Job links of interest in sustainability / finance / art / healthcare.

CAS - Chinese Arts Space - looking for a new Artistic Director.  

GSK - new pension fund manager

Anglia Ruskin / Global Sustainability Institute (GSI)  are looking for a new research fellow  https://www24.i-grasp.com/fe/tpl_angliaruskin01.asp?newms=jj&id=68960&aid=14138

Barclays - Diversity  https://barclays.taleo.net/careersection/2/jobdetail.ftl?job=90130511&lang=en_GB&src=JB-14940

Towers Watson - ESG/RI sustainable investment consultant
https://careers.willistowerswatson.com/en-US/job/sustainable-investment-analyst-consultant/J3K65L6PTJ5Q8QM86SH

Goldman Sachs - Sustainable supply chain
https://careers-goldmansachs.icims.com/jobs/39679/sustainable-supply-chain-associate---london/job?hub=7&mobile=false&needsRedirect=false&bid=9993932

Unicorn theatre - Stage manager Xmas show

Natural History Museum - dinosaur brain imaging!  http://www.artsjobs.org.uk/arts-job/post/postdoctoral-researcher-dinosaur-cranial-imaging/

Asst Curator - design museum (30 Oct) - http://www.artsjobs.org.uk/arts-job/post/assistant-curator-66/

 

Couple senior leadership positions at Arts Council - including Head of Museums, http://gs12.globalsuccessor.com/fe/tpl_arts_council01.asp?newms=jj&id=88234&aid=16034

IntoArt looking for  Assistant Artist Facilitator is a new and exciting role for someone with a visual arts background looking to work in an inclusive art studio setting working with people with learning disabilities. (Initial 12 weekly studio based art workshops, January – March 2018)  Intoart is an art and design studio based in London working inclusively with people with learning disabilities. 

(from 14 Oct, deadlines may have passed)

 

Albany Theatre (Deptford/London) looking for creative programmer
Tate are looking for an Information Manager  


Photographer, filmmaker Briony Campbellis looking for multi-talented assistants. She wants superwomen if you ask me, but might suit some freelancers.  

Eclipse/Slate: If you’re a BAME artist working in any form or medium, currently based in the North of England, and you have an idea or a project you’re ready to get off the ground – this is for you.

 

Jonathan Meth, Conversation, Two

First part of my conversation with Jonathan Meth. This is the second, mainly about Fenc.

We spoke about his work with Fence. It struck me that Fence sounded like a family of artists, connected and challenging - as families can be. We discussed the idea as a playwright as a public artist, bring together other artists and thinkers to make work, be a part of work.

This project  All our tomorrows: Ireland has struck oil! - will it be Norway or Nigeria?  is one expression of this.  It’s happening on 19 Oct in London, and I’m hoping to go.

“Ireland has struck oil – but will be it Norway or Nigeria? is a performance project from The Fence network of international playwrights and theatre makers in partnership with King’s. It will stage and audio record performance and discussion for a live audience on an imagined future scenario, mapping a moment of crisis in Europe from creative, journalistic and academic perspectives.

This performance will explore the urgent questions thrown up by Ireland’s reversal of fortunes and its new oil-rich future, particularly in relation to its Celtic Tiger past and the fall-out from the Credit Crunch, but also in relation to big brother – the British state and its expertise in matters of oil… Where and what are the borders between Irish and British interests? What does Ireland imagine for itself? What can be learnt from experience in Nigeria and in Norway with the challenges of oil?

As the first of the planned All Our Tomorrows series of live performance and audio recordings, this event is developed by Irish-Nigerian playwright Gabriel Gbadamosi as creative editor with a professional radio producer and cross disciplinary academics as pundits. It is produced on behalf of The Fence network of international playwrights and cultural operators by Jonathan Meth.”

This multi-discipline approach appeals to me. Yes, playwrights write plays, and theatres with a bunch of professionals and performers put them on. But there’s more.  What I’m finding with the mingle, what I’ve always known in my investment work, is that different disciplines, different thinkers coming together can create new brilliant ways of seeing, different answers to complex questions; or complex answers to deceptively simple questions. Or just have a fun time together.

Time for more?  Here’s a short post on 5 things autism has taught me.  Here is   JK Rowling on the benefits of failure.

Jonathan Meth. A conversation, one.

Elegant, flowing, beautiful hands. Chatting with Jonathan Meth, I was struck by how eloquent his hands were.

 

Social decorum crimped me and I felt I couldn’t interject to say - wow your hands wonderfully mesmerize me. Social media strips decorum, so I can say that now.

 

My writing threads go back to when Jonathan ran writernet which harks back almost 20 years ago now. Now, I’m stepping back into a writing practice or perhaps a playwright as a multi-disciplinary arts-investing person, a some time mingler - which I’m told is a form of covening. It’s amazing to re-connect and hear how artists’ work have developed.

 

Jonathan has kept an international network of artists through Fence, which seems to me an evolution from the dramaturgical work of writernet (I will split the post and write about Fence in another section). He has also developed a practice in disability arts - and our shared interest in autism crosses over here. There’s a lot to Jonathan’s practice.

 

Across time and space, we end up on a warm New York autumn evening drinking a bar tender’s choice of drink, 10 over years since we last met.

 

The disability practice is described in this 2015 Guardian article and on his own site here. What I took away is that there is a strong disability arts practice in various countries, often forging on with limited support, but creating a long history or astonishing art. Three of them are partnered in Crossing the Line (not to be confused with the project that Gideon Lester and others are involved with): Crossing The Line (EU) is a project of the co-operative partnership of 3 European theatre companies: all leaders in the field of working with learning disabled artists. The partners are Moomsteatern in Malmo, Sweden; Compagnie de L’Oiseau Mouche in Roubaix, France and Mind The Gap in Bradford, UK. Jonathan is project dramaturg, and is hoping to expand the partnership to many more countries.

We also intersect on Ambitious about Autism. This is an ABA led group in the UK on ASD special education needs; but Ambitious acknowledges that the tent is larger than ABA and so pushes forward across a range of ASD advocacy; as child-centric and child-led practise informs much of good SEN (and typical) practice today, whatever techniques you find that work (and research is still relatively poor).

 

Drawing this part together, it was apparent to me that Jonathan speaks many languages. The language of art in its many dialects, the language of SEN, the language of policy makers and funders.

 

It dawned on me, I speak several of these languages too, and that we need more of us in today’s word. More than ever.

 

Jonathan spoke of Isaiah Berlin’s Fox (after Greek poet Archilochus) who ‘know many little things’.  As Jonathan writes: “They react to challenge by drawing on a pattern of general, pragmatic understanding, often making mistakes but seldom committing themselves to a potentially catastrophic grand strategy.” As opposed to the hedgehog, which knows one big thing.   It reminded me of this Nassim Taleb conversation with philosopher Constantine Sandis  -  Taleb argues a cousin piece of thinking:

 

“I do not consider myself a hedgehog, but a fox: I warn against focusing (‘anchoring’) on a single possible rare event. Rather, be prepared for the fact that the next large surprise, technological or historical, will not resemble what you have in mind (big surprises are what some people call ‘unknown unknowns’). In other words, learn to be abstract, and think in second order effects rather than being anecdotal – which I show to be against human nature. And crucially, rare events in Extremistan are more consequential by their very nature: the once-every-hundred-year flood is more damaging than the 10 year one, and less frequent.”

 

Being open minded, being open to possibilities when they happen, intertwining chance - taking those chances  - those challenges are absorbing them to make you stronger (anti-fragile, even more than resilient)

 

Looping back to Spike, that chimes with some of what I hope for him, that we can expose him to enough small and varied challenges and opportunities that he find enough to think, and be, and to find purpose. It’s hard for Spike to do that within an institution. We will find a way.

 

This last few days in New York has felt a little like that - throwing out the the threads - listening - thinking - being - meeting: from the chance meetings (triggered by the Empty Space), the semi-chance meetings like Jonathan; the near misses (Gideon, I’m still hoping); the re-connections;

Mixed in with the latest in pharmaceutical, medical technology and consumer genetic thinking.

 

And, I am thankful for that. Part two of conversation here.

 

Time for more?  Here’s a short post on 5 things autism has taught me.  Here is   JK Rowling on the benefits of failure.


 

You can study gravity forever without learning how to fly ​

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You can study gravity forever without learning how to fly.  

 -Shawn Achor   Happiness Advantage 

If you'd like to feel inspired by commencement addresses and life lessons try: Ursula K Le Guin on literature as an operating manual for life;  Neil Gaiman on making wonderful, fabulous, brilliant mistakes; or Nassim Taleb's commencement address; or JK Rowling on the benefits of failure.  Or Charlie Munger on always inverting.

Cross fertilise. Read about theautistic mind here. On investing try a thought on stock valuations.  Or Ray Dalio on populism and risk.